Planning: Call list.

In order to make the production portion of our film easier and more organised to be executed swiftly. This may change as filming transpires and different requirements present themselves but this will be given out to everybody due to be involved in the production.

Date.	Crew members.	scene	shots	props	Location
Sunday 11 January.	Jake Haines, Laura Harris, Ton Wentink and Joe James.	Scene 2.	Running/chase shots 3 - 10	Camera equipment. Angle and two demon costumes.	Newbottle woods.
Sunday 18 January.	Jake Haines, Laura Harris, Ton Wentink and Joe James.	Scene 2.	Cylus dialogue shots  11 - 22	Camera equipment. Angle and two demon costumes.	Newbottle woods.
Sunday 25 January.	Laura Harris, Jake Haines, Ton Wentink and Alfie Russell.	Scene 1 and 3.	Opening haze and closing angel-demon interaction.	Camera equipment. White feathers, fake blood, rope chair.	Near Chipping Warden.
Sunday 1 February.	Laura Harris, Jake Haines, Ton Wentink, Joe James and Alfie Russell.	Missed shots.	Anything previously missed on filming dates.	As needed at the time.	---

Planning: Storyboard

As part of our planning I have created this storyboard as an initial rough draft to work with during production and to follow as a guideline.

Planning: Permission for Location

Although there is no direct owner of Newbottle woods Jake contacted Northamptonshire county council and promptly informed them of our filming plans and requested permission for filming. There is no reply as of yet.

Planning: Classification

Upon research for the classification of our film and with consideration that their is pain inflicted on the angel and substantial blood and injuries we found that our film would be best fitted to a 15 as according to the British Board of Film Classification that shows our films atmosphere meets an equivalent to a lot of the listings for a 15 film rating. 

Planning: Special Effects.

The representation - which is a crucial element of making our film opening effective - will be mainly                      reached by a combination of special effects in post-production and make-up. 


In terms of special-effects a lot of the representation of location (heaven) and supernatural powers will be mainly created through post-production and editing. Specifically the representation of the entities will be done by high speed running as a way of exploiting supernatural abilities and meeting expectations of our genre. The flashback in heaven will be differentiated through something of a flash transition from scene 1 to 2, with scene 2 edited with an effect to create intense high key lighting to represent heaven.

Planning: The Script

In order to establish the exact dialogue, action and narrative for our actors as well as for Jake and I. There was detailed discussion on what each character should say specifically despite the limited dialogue because it is important to get the desired footage exactly how we want it and necessarily representing the detailed characterisation needed for an angel and a demon. 

Planning: Health and Safety Risk Assessment table.

Risk or Hazard	Risk or Hazard rating (low/med/high)	How to avoid risk or hazard.
Falling over, tripping on branches etc.	High.	Issue shoes with good grip, remind all crew members etc. to look where they’re going.
Getting to location	Low.	A reliable designated driver will be acquired for all filming days.
Stings or various other wildlife themed disasters.	Medium.	Ointments and bandages etc. will be brought to location in the form of a health and safety kit.
Rain and mud.	Medium.	If rain has been substantial in

A number of safety hazards could present themselves during filming. The table above has acknowledged these points and has discussed them accordingly in preparation for when our production begins.